As part of our Edinburgh Fringe 2024 coverage, we are running a series of interviews with artists and creatives that are taking part in the festival.
In this interview, we speak to director Bonni Chan about Must I Cry.
Where did your arts career begin?
My arts career began in Hong Kong in the 1980s. After that, I moved to London to study with various teachers. In 1995, I founded Theatre du Pif with my partner Sean Curran.
What can you tell me about your show?
Must I Cry is the play that will have its premiere at the festival. The play draws inspiration from the literary works of renowned Hong Kong author Xi Xi, particularly her piece "Hong Kong Island I Love" from 1968, which explores themes of memory, loss, and the changing landscape of the city. It is deeply connected to Hong Kong, a rapidly changing city. It explores the themes of memory and loss from diverse perspectives, referencing significant historical places and events. The production examines the universal experience of memory and the inevitable loss associated with it. Additionally, it delves into the contrast between the loss of memory and the loss of humanity caused by human neglect, portraying a city where the tearing down and building up has left its citizens devoid of soul. Amidst these changes, the show encourages reflection on where we can channel our grief. It aims to evoke emotions and provoke contemplation in audiences.
How would you describe the style of the show?
Must I Cry has an experimental, multidisciplinary style that blends elements of physical theatre, visual storytelling, live music, and multimedia. Drawing inspiration from the literary works of Hong Kong author Xi Xi, the production explores themes of memory, loss, and the changing urban landscape through a non-linear, abstract approach.
How have you approached developing the piece?
Rather than starting with a pre-written script, the ensemble has engaged in extensive research, experimentation, and collective exploration of the themes inspired by Xi Xi's writings about memory, loss, and Hong Kong's urban transformation.
How do/will you prepare yourself for a run at the Fringe?
With anticipation and curiosity for the show first open to an audience and a good week’s run to experience the piece. Cups of iron Buddha brewed with sweet Scottish water will be my recharge.
Other than the show, what’s something you’re looking forward to doing in Edinburgh this year?
-The Oxford bar to meet Rebus.
-Seeing the allotments in the Inverleith Park .
Well …it could be for every year!
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What keeps you inspired?
How little we have known ourselves.
What do you hope an audience takes away from seeing the show?
To feel that they are rich.
Must I Cry runs at Paradise at Augustines from
19th until 25th August 2024. Tickets are available from https://tickets.edfringe.com/whats-on/must-i-cry
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