A reviewer described it as “seriously avant-garde children’s theatre” which is pretty spot on. It’s eye-catchingly bright and absurd. And full of incredible music and playful repetitions of these tongue twisters.
What was the lightbulb moment that led to the creation of this piece?
I was in Croatia, surrounded by multilingual people, when the Brexit result was announced (I had voted to remain in the EU). I wanted to channel my discomfort into my art, so I thought I could make a show that explored me speaking in multiple languages. First I made a short film called Seashells where I perform tongue twisters in 8 languages. But I quickly realised the potential of a live show and Tongue Twister began to take shape.
What makes 2026 the perfect year for this specific story or performance?
The world has never felt more divisive. My show uses language as a way to make connections with people in our communities and internationally. And it does so in a colourfully Queer show of acceptance.
How will you mentally and physically prepare for a run at the Fringe?
It’s going to be hard this year because I’m also performing in another show: We Will Hear The Angels by Magnetic North. So I’m going to be very busy. I’m trying really hard to prioritise rest in the months before August. During the run I’ll continue my daily yoga practice which really helps to centre my focus and energy for the day. And I’ve already got a holiday booked for September!
If you couldn’t use a flyer to attract audiences, what ridiculous object would you hand out to people to get them into your show?
A knitted tongue.
What is the one item in your Fringe Survival Kit that you can’t live without this month?
My bike. Taking the bus and walking is a great way to get across the city. But it takes at least twice as long during August. Having a bike saves so much time.
What would you deem as success at the end of the Fringe?
When I performed Tongue Twister on tour last year people always wanted to come up to me afterwards to share tongue twisters in their own languages. I really hope to collect a lot more throughout the Fringe.
Other than your own show, are there any other shows you would recommend at the Fringe this year?
I’m very excited to see The King of All Birds by Martha Knight and The Great Chevalier by Ballet National Folklorique du Luxembourg.
What is one Edinburgh spot that you would recommend people to visit when they're not watching performances?
The courtyard at the book festival for a bit of performative reading!
Can you describe the show in 5 words?
Absurd. Hilarious. International. Rhythmic. Yellow.
What keeps you inspired?
I read a lot and listen to a lot of new music. I don’t think we artists ever switch off the inspiration side of our brains. It’s important to be receptive, responsive and passionate.
What would you hope someone takes away from seeing the show?
I want to inspire people to learn other languages. Learn how to say hello to your Egyptian neighbour. Rekindle that high school French. Be proud of the languages that you can speak.
When and where can people see the show?
I’m on 8-22 August (not 9,16) at 11:30 at Cromdale Theatre at Pleasance at EICC.
Ticket link here: https://www.edfringe.com/tickets/whats-on/tongue-twister
Post a Comment