Review by Mark
Tasmin Sarkany’s Now That’s What I Call Bach! is a joyous, unpredictable romp that proves classical music doesn't have to take itself so seriously. Sarkany, portraying the delightfully erratic Amelia Crotchet, brings an infectious energy to the stage in a high-stakes concert setup where literally anything can—and does—derail her performance.
The heart of the show lies in its sheer liveliness and unabashed silliness. Sarkany plays off her violin as an absurdly demanding double-act partner, spiraling into rapid-fire musical puns, delightfully ridiculous tangents, and wildly inaccurate 'facts' about Bach that will have classical aficionados and novices alike in stitches. Amelia’s frantic attempts to stay focused are pure comedic chaos, driven by Sarkany’s sharp physical comedy and charismatic stage presence.
Yet beneath the glorious absurdity lie dazzling sprinklings of genuine musical skill. Just when you think the show has completely devolved into madness, Sarkany delivers moments of crisp, beautiful violin playing that remind you of the serious talent backing up the jokes. It’s a delicate tightrope walk between high-brow virtuosity and low-brow buffoonery, and she executes it with total charm.
Now That's What I Call Bach! is a vibrant, laughter-packed hour that hits all the right notes—even when Amelia Crotchet is actively trying not to. Highly recommended for anyone looking for a brilliantly foolish night out.
⭐⭐⭐⭐
You can find out more about Amelia's work by visiting her website https://tasminsarkany.co.uk/
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