Review by Mark
Tickets were gifted in return for an honest review
Leicester Operatic Players (LOPs) have truly outdone themselves with their production of Dirty Rotten Scoundrels at The Little Theatre in Leicester, delivering a show that feels as high-stakes and polished as a night at the Beaumont-sur-Mer casino.
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| Photo by Poyner and Mee Photography. |
The production hinges on the electric chemistry between the suave, sophisticated Lawrence Jameson (Chris Hiam) and the hilariously uncouth Freddy Benson (Freddie Perkins). Their duel of wits is a masterclass in comedic timing, with the banter moving at a lightning pace and the physical comedy, most notably during the hilarious "All About Ruprecht" and "Ruffhousin' Mit Shuffhausen" numbers, which have the audience in absolute stitches. Hiam thrives as Lawrence. He impresses most in the scheming nature of this scoundrel, whilst having an assurance in his delivery. Perkins is a particular triumph as Freddy. He magnificently captures every element of the role, showcasing a keen eye for comic timing. He also sings superbly and nails "Great Big Stuff". It's a fantastically well-rounded performance that illuminates the stage throughout.
Lizzie Bywater-Florance also hugely impresses as Christine Colgate. She blends an effortless vocal with a disarming charm that makes her brilliantly cast in the role. Her work alongside both Hiam and Perkins is so fun to watch. The number "Love Is My Legs" between Christine and Freddy is a real standout in the second act.
Alexandra Elliott portrays Muriel Eubanks with a perfect blend of high-society poise and desperate loneliness. Her performance hinges on clueless sophistication. Allan Smith plays Andre Thibault with a dry, understated wit that serves as the perfect foil to the chaotic energy of the lead scoundrels. His comedic timing relies on subtle gestures and the unflappable nature of a man who has seen every trick in the book. Smith brings a surprising tenderness to the role. His pursuit of Muriel is played with a stiff-upper-lip gallantry that makes their eventual pairing incredibly satisfying. Their blossoming relationship is fun to watch in the number "Like Zis/Like Zat".
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| Photo by Poyner and Mee Photography. |
Rachel Wheeler’s performance as Jolene Oakes is a comedic whirlwind. Wheeler brings a relentless, brassy energy to the stage, utilising a thick Oklahoman drawl and weaponised enthusiasm that makes her have a big impact. Her big number "Oklahoma" showcases her impressive vocal belt and sharp physical comedy, as she leads a frantic routine with great cheerfulness. By playing Jolene with such overwhelming intensity, Wheeler transforms the character into more than just a caricature; she becomes the essential catalyst for the show’s plot, providing the hilarious desperation that forces the two lead scoundrels into their desperate "Ruprecht" gambit.
Huge credit must go to everyone on the stage for their performances. Demi Leigh Essex provides crisp, spirited choreography, which is ably performed by the company. Occasional numbers are a little messy, but you are swept up in the hard work from the company that it doesn’t really matter. David Yazbek’s score is notoriously tricky - it’s jazzy, brassy, and lyrically dense.
Director Steve Elliott keeps the pacing brisk, which is vital for a show that relies heavily on comedic timing and quick-change deceptions. The set design by Elliott successfully transports the audience through a variety of locations, largely achieved through props.
Tom Brooks provides clear sound, and Andy Crooks and Douglas Finlay's lighting is largely successful. Although there are a few glitches and moments where the cast aren't correctly lit, this will certainly be ironed out as the performances continue. It's an astute technical achievement by the creative team.
Ultimately, LOPs have once again proven the highest quality of performance. This production is a vibrant, sophisticated, and laugh-out-loud triumph that radiates infectious joy from start to finish. If you have the chance to catch this run, take it. This is one high-stakes con you will be more than happy to fall for.
⭐⭐⭐⭐
Dirty Rotten Scoundrels plays at The Little Theatre in Leicester until Saturday 25th April 2026. Visit https://thelittletheatre.co.uk/ for tickets.
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| Photo by Poyner and Mee Photography |
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